One bitterly cold afternoon this week I received a visit from K, a Lithuanian woman in her early sixties who’s lived in New York for some twenty years. K had made the long bus journey from North Queens to uptown Manhattan to collect a package I’d brought over from the Lithuanian angel, R, who is the linchpin of our transatlantic life, looking after house, dogs and twenty somethings back in Wimbledon.
K refused my first two offers to come up to the apartment for a cup of tea, but finally relented. During the forty minutes we spend together, I learned that K and R are old friends who both left Lithuania in 1996, crossing great expanses of water in search of better lives. K ended up in New York, where she met her American husband in a dance hall in Brooklyn. (When she told me this I couldn’t help picturing the dance hall scenes in Colm Toibin’s beautiful novel, Brooklyn). The husband died eighteen months ago, and K said she was still trying to work out how to live without him.
“Trouble is,” she said, “ New York is not very friendly place. People do not want to know.” Continue reading “Nice day for a protest”
“They’re not shy about using their horns in this city, are they?” L1 said on our first morning in the new apartment, as we craned our necks in the direction of the TV so as to hear Morning Joe over the vehicular argument that was gathering both pace and volume outside, five floors below.
“This, of course, is why a balcony is a complete waste of time in New York,” he added, clearly congratulating himself on having had the good sense not to pay whatever extra sum might have been required to secure an apartment with six square feet of precariously suspended outside space.
It occurred to us then, as it has almost every day since, that Manhattan actually has two great symphony orchestras. There’s the one that plays in the David Geffen Hall at the Lincoln Centre, the NYPO (New York Philharmonic), and then there’s the one that plays on the streets. The street symphony’s illustrious composer is not Mozart or Brahms, but the combined comings, goings and inclinations of the millions who live, work and drive in the city.
Ordinarily it’s the string section that reigns supreme, with the leading first violinist being the undisputed concertmaster. But in the street orchestra, it’s the brass section that takes centre stage. The constant honking of horns by taxis, cars and giant SUVs forms the very core of the score in this city – mostly trumpets, French horns and trombones, with the occasional stupendously loud report from a tuba. (That would be a super-sized truck making its impatience known.) Continue reading “Is that a trombone I hear?”